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02/15/2010

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I think this would have been an interesting topic if I understood what it meant, but I have no idea what a "fetish for deathly historicity" is.

Is the sincere wonderment about the meaning of a "fetish for deathly historicity" unworthy of an explanation?

Some people love to historicize a text first, and then...well, "_perhaps_ a text has some meaning for us today, but first we must smush it back into its historical context, and let that context determine the meaning," so that the text can be heard as chatter from one person in an age to other people in that age, while the age itself, or rather, the context, forms sort of an echo chamber where the sound of the text cannot escape -- that is, where _meaning_ does not escape.

I'm not saying we shouldn't try to understand a text within its context. We must. But to take a text that lives within living communities, and has meaning there, and to tear it from the living and stitch it to the dead (the dead _conceived_ of as dead)...well, the text usually doesn't make it back to the present day communities from whence it was taken.

It's like relating to butterflies. Some people live near butterflies, and enjoy them often. Some people don't, and only relate to them as they collect them as dead creatures, pinned to a corkboard. The corkboard populated with dead things is a different context than the meadow full of life.

Ah, yes. As the French poet, Paul Claudel said: "To understand the rose, one person uses geometry, and another uses the butterfly." Actually, he said: "Pour connnaitre la rose, quelqu'un emploie la geometrie et un autre emploie le papillon," but I thought you would like the English version better.

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